“His proclivity for both monumental and historic performances is well known, but with his latest Project, 32-year-old Marios Joannou Elia, once again, exceeds all limits.”
ABOUT THE ARTIST
Encompassing Contemporary Concert Music, Opera, Multimedia and Cultural Events
—Marios Joannou Elia (*1978) has surpassed the customary boundaries of contemporary music to become the first composer whose singular work, the open air multimedia symphony AUTOSYMPHONIC (2010/11), was performed in front of a live audience of 20,000 people, achieving 55 million television viewers and two billion media contacts worldwide. In addition, he served as Artistic Director for this large-scale production. His work encompasses compositions in many diverse genres and backdrops for Opera and Modern Concert including Multimedia and eminent Projects for Cultural Events. The central concept of this work, “The Concept of Polymediality” (2003), is based on a qualitative polymediality that is comprised of two dimensions … the work-immanent composition and polymediality (alongside all the associated media) during the process of staging. [Read Essay]
November 9, 2015
RegioTV SCHWABEN – 2015: A YEAR-IN-REVIEW
December 3, at the Oldtimerfabrik Classic in Neu-Ulm
Elia has been named as one of 2015’s most important persons in the metropolitan region of Swabia (southwestern Germany). He will be one of the prominent guests (among lord mayors and F1 pilots) at the RegioTV Gala in Neu-Ulm, on December 3. Besides Live-Music, Elia will participate in the talk-show, discussing his artistic achievements.
October 7, 2015
“BETWEEN FREEDOM AND DETERMINATION”
publication by The Washington Press, Seattle
Dr. Vera Grund’s article “Between Freedom and Determination: Marios Joannou Elia’s Music for Guitar” will be published in the oncoming volume (Nr. 53) of the Perspectives of New Music, edited by Ed. R. Morris and J. Rahn. “Elia calls thirteen works of his oeuvre “music for guitar”. Five pieces are for solo instrumentation: In Between (1999), Ontologie Parallel (2001), Soliloquy (2002), Maneuver (2006) and Cursed (2008). The remainder consists of guitar duet (Ontologie Kubik, 2001), quartet (Apophis, 2001/08 and Staubzucker, 2007) or mixed instrumentation containing bowed, brass and percussion instruments…”
September 28, 2015
AMBASSADOR IN TOURISM
interview regarding recommendations for the enhancement of Cyprus as an attractive destination for conference tourism
In collaboration with the Cyprus Tourism Organisation and the Cyprus Convention Bureau, the Ambassador in Tourism of the Republic of Cyprus, Marios Joannou Elia, developed a proposal aiming to combine conference tourism with the cultural character and cultural events in Cyprus and abroad. Through this approach, Conference Tourism in Cyprus will gain additional value, which will provide participants -in parallel with their scientific and professional activity and development- a product of particular cultural value, interest and enjoyment.
“a groudbreaking album of guitar music”
An alluring recording of nine works by the composer Marios Joannou Elia – 55 minutes of music, composed between 1999 and 2008, which adds new dimensions to guitar repertoire. The recording is neither typical contemporary music nor is it a mainstream classical guitar album, but it offers a manifestation of the endless possibilities of the guitar.
The album was recorded at the ORF RadioKulturhaus in Vienna. International Release: 25 November 2015.
“Elia is considered in the music world to be the man for monumental events.“
THE CONCEPT OF POLYMEDIALITY
published by Winter Verlag, Heidelberg
—The article “Polymedialität als Konzept” elucidates Elia’s concept of polymediality and its application (with concrete examples). It is published in Thomas Hochradner’s (ed.) book entitled “Zur Ästhetik des Vorläufigen”.
AWAKENING YOUR CREATIVE SOUNDTRACK
everything you know is wrong | rialto theatre, limassol
—How acoustics, sounds and noises influence our everyday life, give value to our experiences and ultimately become a significant paradigm shift in the onset of creativity. The question is not whether you are able to hear but rather whether you are willing to listen. A speech on rediscovering life’s musicality…
IN THE SPOTLIGHT
A group of 120 youths, who received a full-year’s free instruction in drumming in order to allow them to elicit sounds of the automobiles from the event, were chosen from the many casting auditions held in collaboration with the Baden-Wuerttemberg Popular Music Academy.
THE CREATION OF A CAR ORCHESTRA
consisting of 80 vehicles – from classic to modern super cars, busses and trucks
“The world’s first automobile orchestra”
Deccan Herald of India
In 2010 to celebrate the 125th anniversary of the invention of the automobile, Elia created “the world’s first automobile orchestra”. The central theme of the event provided the medium from which the music was generated: The sounds the cars made served as the basis for a nine-movement symphony, written for a large symphony orchestra, a car orchestra, a percussion octet, an adult chorus, a children’s choir and electronics.
The car orchestra consisted of a selection of 80 cars: classic cars, supercars, racing cars, roadsters, limousines and luxury vehicles, microcars, American cars, pickups, buses and trucks (Mercedes-Benz, Ferrari, Maserati, Porsche, Jaguar, Aero, Rolls Royce, Cadillac, Trabant, etc.).
Stage 1/6: Car-castings all over Germany
More than 120 vehicles were evaluated by Marios Joannou Elia within a period of ten months. Each one was separately explored, and all extracted sounds – up to 35 from a single car – were meticulously documented (recorded by a sound engineer, filmed and photographed). During the casting, Elia analysed in great detail, the playing technique, tempo, articulation and loudness of each individual car element to decide which ones could be employed in the performance.
Stage 2/6: Audio recordings in studio
—After the car-auditions were completed, Elia evaluated all recorded sounds in a studio. The tone frequencies were also measured. Based on their qualities and individual characteristics, he chose 80 vehicles, including representatives from the entire automobile history. These formed the car orchestra of which approximately 800 car sounds can be found throughout the score. They were recorded in a professional studio which was especially built for this occasion, thus providing aural guidance and parameters to the performers.
Stage 4/6: Rehearsals on every car
The cars were scored either solo (featuring a single car element), and in smaller groups or orchestral tutti. Rehearsals began at first on percussion instruments, then on simulative utensils and finally on the cars themselves. In total 120 youths and 14 professional musicians took part in the one-year preparation process.[More about Project]
“Elia is well-known for his extravagant and popular music events.“
FEATURED MUSIC VIDEOS
for guitar quartet
“A performance which one is not likely to forget”
Classical Guitar Magazine (UK)
In STAUBZUCKER (2007), Elia creates an enormous amount of possibilities to provoke specific sounds by employing unusual playing techniques. The score requires 23 percussion instruments to articulate the diversity of required sounds. Additionally the instrumentalists create sounds with their own voice and body by clapping, flipping and rubbing on paper. A hint at the composer’s purpose gives the score: “Since the happily-failed encounter of Odysseus with the sirens, all songs have become ill” (Horkheimer/Adorno). Actually, it is not the destiny of the Greek hero that attracts the composer but the means with which its literary creator Homer causes tension. His own technique of using parallel plots, flashbacks, introductions, perspective and narration changes are the stimuli for which Elia declares are “like powdered sugar (Staubzucker) that can be used for a highly explosive alloy. The sound of the guitars bursts like the ‘diseased’ songs from the sirens”. [Read More]
Performed by Miscelanea Guitar Quartet, Salzburg (Aesthis Records).
for pop band vocal ensemble, symphony orchestra and choir
“This is neither classical nor popular music, but something new and challenging”
Conductor Johannes Harneit at m:con TV
According to Elia, polyaesthetics arise out of the polymedial employment of materials which is systematically intended and constructed for the development of the artistic process. In this respect, hybridity is a central aspect of his concept of polymediality. In terms of a musical amalgam, genre-like, it manifests in the confrontation between contemporary classical and popular music. In 2011, commissioned by m:con-mannheim:congress GmbH and the City of Mannheim, Elia composed DER TRAUM (THE DREAM) for symphony orchestra, choir and the German pop music band “Söhne Mannheims”. Xavier Naidoo, Germany’s most prominent soul singer, sang the solo vocals. [Read More]
The piece was performed by Söhne Mannheims, SWR Baden-Baden and Freiburg Symphony Orchestra, SWR Vocal Ensemble Stuttgart, Staging: Horst Hamann.